And I have felt . . . a sense sublime
Of something far more deeply
interfused,
Whose dwelling is the light of
setting suns,
And the round ocean and the living
air,
And the blue sky, and the mind of
man;
A motion and a spirit, that impels
All thinking things, all objects of
all thought,
And rolls through all things.
-
Wordsworth, “Tintern Abbey”
It has long
been recognized that all living things are inhabited by a creative force. This force is powerful and aggressive yet it
can be considered to represent heaven and light for it is a portal into our
true inner nature. For me, the sound of
music produced by a simple bamboo flute, has been a mild muse.
For some
time now, though I have had little time and I have no teacher, I have been
working to learn how to play the ‘danso’.
This instrument, an ancient form of reedless bamboo flute has a hauntingly
airy voice and is not only found in Asia, but is an instrument long known by
the native American Indians.
The Danso
The notch
The sound comes out this end
The bottom side
Completely hollow in the middle
The view of the notch from the playing end
Due to its
design, it is quite difficult to master, and can, at times, be difficult for a
master to play. The reasons for the level
difficulty are:
1) It is made of a material, bamboo, and a design that makes it extremely
subject to the vagaries of ambient conditions – that is, humidity or dryness,
cold and heat, etc.
2) Since the sound is produced by the splitting of a flow of air
across a notch and the notch is located at one end of the flute, the positioning
of angle of the notch to the mouth and the power of the breath used are
entirely controlled by the would be player.
Reed instruments such as the clarinet or even other flute types that
utilize a reed apparatus at the rear of the instrument, and non-reed
instruments such as the ocarina, by design control the air flow split making
sound production much easier.
3) You have but four holes on top and one on the bottom for note
production, thus your range of notes is somewhat limited.
I currently
am to the point where making sound is no longer a serious problem – until you
learn mouth positioning and breath technique making any sound harmonic to the
ear is very difficult, so now, as time permits, I can focus more on the making
of music.
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